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Appendix B - List of Fanzines Researched


Title
Issue Numbers
Production Methods ô
Publisher/ Editor Å
No. of pages and size
Circulation°
Place of Publication
Angels Under Starlight
2, 3
HW/WP/C+P
Helen
44pp A5
15-20
London
Astrochimps
6
TW/C+P
Simon Hampson
26pp A5
N/A
Frodsham
But First The News
1, 2
DTP
Mark Seager
40pp A5
30-50
Ipswich
Codeye
6
WP/C+P
Robert Slavery
32pp A5
N/A
Middlesbrough
Dilemm-ahhh!
6
DTP
Deano
24pp A4
N/A
London
Dogprint
10
DTP
Lenny
96pp A4
N/A
New York, USA
Emancipation
5, 11 - 13
DTP
Ruth Stowell
28pp A5
50-100
Burnley
Fifth Season
16
WP
Robert
2pp A4
N/A
Harrow
Fracture
4, 8
DTP
Russell Remains
104pp A4
5,000
Hull
heldlikesound
3
DTP
John Davis
80pp A4
N/A
Massachusetts, USA
Hobble Oblong
Deborah
WP/C+P
"Hog", "Moth" and "Shaggy"
22pp A4
N/A
Glasgow
Homegrown
5
WP/C+P
N/A
24pp A5
N/A
Glasgow
Homelovin'
3
WP/C+P
Paul Haworth
20pp A5
150
Lancaster
IndiePendent, The
7
WP/C+P
Xana Charnock
32pp A5
N/A
Liverpool
jockrock
3
DTP
Stuart McHugh
24pp A5
N/A
Linlithgow
Juicy
3
DTP
K. Harknett
26pp A4
N/A
Essex
Maximum RockNRoll
213
DTP
Michael Thorn
160pp A4
10,000
San Fransisco, USA
Modern Rock Magazine
8
WP
Tim Ellison
32pp A5
250-300
California, USA
No38
2
WP/C+P
Helen
40pp A5
20
Birmingham
Original Sin, The
31
DTP
Didier Becu
52pp A5
500
Gent, Belgium
Paranoid Endjinn, The
4
DTP
Hugh Platt
60pp A5
50+
Wokingham
Planet Boo
45, 46
WP/C+P
Patrick Gray
4pp A5
N/A
Inverness
Pop Art
4, 5
WP/HW/C+P
Sid Stovold
36pp A5
N/A
Surrey
P'tahk
2
DTP
Steve Russell
24pp A4
600
Middlesex
Scuba Diver
1, 2
WP/C+P
Charlotte
2pp A4
N/A
Hampshire
Veronica
1
WP/C+P
Mhairi, Kirsteen and Marie
40pp A4
N/A
Glasgow

 

ô Methods used in the production of fanzines: HW - handwritten, WP - word processed, C+P - cut and Paste, TW - Typewriter, DTP - Desktop Publishing

Å Some fanzine publishers only use their first names or pseudonyms. The name given for each fanzine is the main person responsible for the publication with the exception of a few fanzines, such as Maximum Rock and Roll, which are edited by a small group of people.

° Circulation figures are not easy to acquire for fanzines, first because of few fanzine publishers keeping records and secondly because of fanzine writers not wanting to reveal them. "N/A" therefore represents circulation figures not available.

Title Page
Acknowledgements
Introduction
Literature Review
Methodology
Fanzine History and the Development of a Fanzine Culture
Fanzine Production and Distribution
From Zine to Ezine
Conclusion
Bibliography
Appendix A -
Fanzine Questionnaire
Appendix B -
List of Fanzines Researched